In her book Fluxus Experience Hannah Higgins persuasively demonstrates that Fluxkit and Event, those paradigmatic Fluxus art forms, effectively establish this. Hannah Higgins: FLUXUS EXPERIENCE. Unuversity of California Press, Berkeley and Los Angeles (book review). Hannah Higgins, the daughter of . “Hannah Higgins’s book “Fluxus Experience is a wonderful and much needed addition to the literature on Fluxus. Both insightful and provocative, her work offers.
|Published (Last):||18 March 2008|
|PDF File Size:||4.93 Mb|
|ePub File Size:||11.36 Mb|
|Price:||Free* [*Free Regsitration Required]|
Fluxus began in the s with artists from around the world who favored no single style or medium but displayed an inclination to experiment.
Jan 10, Erica rated it it was amazing Shelves: So, yes I was disappointed that it wasn’t a memoir because-because I’m writing a memoir dealing with me as a child and being raised by an artist and artistic family, I wanted to read something of that subject. She claims that Fluxus artists undertook an active and alert commerce with the world and this penetration into the world of objects led them to an understanding of the self.
Thanks for telling us about the problem.
History of Western Philosophy. Fluxus Experience Ahmanson-Murphy fine arts imprint. Even though here limited to the already existing and documented words, a hypothetical Fluxus lexicon is potentially inexhaustible because the phoneme “flux us ” is not limited only to adjectival function.
The confrontation of the self and experiencd world is best expressed by two formats that were unique to Fluxus: This ahistoricity is not the “murmur” against which Foucault so vigorously and rightfully argued.
She received her B. Fluxus began in the s with artists from around the world who favored no single style or medium but displayed an inclination to experiment. Higgins examines these two set-ups to bring to life the Fluxus higgina but instead of offering a string of interpretations of individual works, which can easily lead one astray, she is concerned with the mechanics of experience within the movement.
Higgins describes the experience of Fluxus for viewers, even experiences resembling sensory assaults, as affirming transa In this groundbreaking experince of incisive scholarship and analysis, Hannah Higgins explores the influential art movement Fluxus. Understood in this way, “nonsense does not have any particular sense, but is opposed to the absence of sense rather than to the sense that it produces in [End Page ] excess” Deleuze The Avant-Garde in Exhibition: Smith’s idea of the “non-hierarchical density of experience” evoked by Fluxus art Smith Daring, disparate, contentious—Fluxus artists hannab with minimal and prosaic materials now familiar in post-World War II art.
Smith compiled an exemplary chronology, and an exhibition called Higgin the Spirit of Fluxus was held at Walker Art Center, Minneapolis but on the whole, it did not create a great stir. She does so by moving out from the art itself in what she describes as a series of concentric dxperience Higgins is quite open about the sources of her subjective approach to art criticism: In fact, this methodology clearly has the potential to make significant contributions to other fields, such as performance historiography, or theory of the avantgarde, currently in deep hibernation.
Hannah Higgins: FLUXUS EXPERIENCE (book review)
The experiential approach to art history and criticism does not abandon its subject at the museum’s doorsteps. Simone rated it really liked it Sep 28, This entry has no external links.
The book is beautifully designed, with fascinating black and white images of both the works of art as well as the artists performing their works. Higgins examines these two setups to bring to life the Fluxus experience, how it works, and how and why it’s important.
Daring, disparate, contentious—Fluxus artists worked with minimal and prosaic materials now familiar in post-World War II art.
File:Higgins Hannah Fluxus – Monoskop
Higgins represents a new generation of Fluxus scholars who are impatient with the objective pose and historical rigidity of academic art history. Sean rated it liked it Aug 23, Stuart rated it really liked it Jan 21, Higgins describes the experience of Fluxus for viewers, even experiences resembling sensory assaults, as affirming transactions between self and world.
Higgins describes the experience of Fluxus for Higgins examines these two setups to bring to life the Fluxus experience, how it higggins, and how and why it’s important. Books by Hannah Higgins.